{"id":277,"date":"2023-03-17T08:40:59","date_gmt":"2023-03-17T08:40:59","guid":{"rendered":"https:\/\/magazinapicol.com\/tei\/?page_id=277"},"modified":"2026-02-20T01:55:00","modified_gmt":"2026-02-19T23:55:00","slug":"scurt-istoric","status":"publish","type":"page","link":"https:\/\/itei.md\/en\/scurt-istoric\/","title":{"rendered":"Short history"},"content":{"rendered":"
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Short history<\/u><\/h3>\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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1990, May<\/b><\/h4>\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Petru VUTC\u0102R\u0102U, together with a group of young actors, founds the "Eug\u00e8ne Ionesco" Theater in Chisinau - the first independent theater in the Republic of Moldova.<\/h5>\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1991, February 10<\/b><\/h4>\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The theater goes, for a period of six months, to Romania and operates within the "Anton Pan" Theater in R\u00e2mnicu V\u00e2lcea.<\/h5>\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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1991, August<\/b><\/h4>\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The theater returns to Chi\u0219in\u0103u after completing its first tour. The performances of \"Hello, Out There!\" by W. Saroyan and \"Waiting for Godot\" by S. Beckett were staged on some of Romania's grandest stages: T\u00e2rgu Mure\u0219, Cluj-Napoca, Oradea, Timi\u0219oara, and Bucharest.<\/h5>\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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1991, September<\/b><\/h4>\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The "Eug\u00e8ne Ionesco" theater acquires the status of a State Theater by Order no. 185 of 09.09.1991, signed by the Minister of Culture and Religion - Mr. Ion UNGUREANU.<\/h5>\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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1991, October 19<\/b><\/h4>\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The theater opens its first season in Chisinau with the performance \"The Bald Singer\" by Eugen Ionescu.<\/h5>\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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1992, September<\/b><\/h4>\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The theater embarks on its first international tour, participating in the International Experimental Theatre Festival in Cairo, Egypt, with the performance of \"Waiting for Godot\" by S. Beckett. The theater earns two prestigious awards: Best Performance Award and Best Male Role Award, given to Petru Vutc\u0103r\u0103u for his portrayal of Estragon.<\/h5>\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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1994, May<\/b><\/h4>\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The theater organizes the first International Theater Festival in the Republic of Moldova - "Eug\u00e8ne Ionesco" Theater Biennial (BITEI).<\/h5>\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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1994, June<\/b><\/h4>\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The first tour in France featured three performances at the Avignon Festival: \"Waiting for Godot\" by S. Beckett, \"The Bald Soprano\", and \"Exit the King\" by Eug\u00e8ne Ionesco.<\/h5>\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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1996, December<\/b><\/h4>\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The first tour in Japan featured the performance of \"Waiting for Godot\" by S. Beckett. This was followed by five additional tours in Japan, with seven performances staged across nine cities, including Tokyo.<\/h5>\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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1994-2016<\/b><\/h4>\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The theater has organized 12 editions of the International Theater Festival of the Republic of Moldova \u2013 \"Eug\u00e8ne Ionesco\" Theater Biennial (BITEI).<\/h5>\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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2016<\/b><\/h4>\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The "Eug\u00e8ne Ionesco" Theater acquires the status of a National Theatre.<\/h5>\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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2018, March 23<\/b><\/h4>\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The collective of the Theater unanimously signs the symbolic Declaration of Reunion with the Motherland - Romania.<\/h5>\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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2023, 26 Mai \u2013 4 Iunie<\/b><\/h4>\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Bienala Teatrului \u201eEug\u00e8ne Ionesco\u201d (BITEI) - Edi\u021bia XIII <\/h5>\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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2025, March 7\u201316<\/b><\/h4>\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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EUROPEAN TOUR: CHIRI\u021aA \u00ceN PROVINCIE<\/a><\/h5>\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Throughout its activity, the theater has participated in numerous festivals and tours across 16 countries: Romania, Russia, Ukraine, France, Italy, Estonia, Spain, the United Kingdom, Lithuania, Poland, Hungary, Japan, Egypt, Turkey, Pakistan, and South Korea.<\/h3>\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Brief history 1990, May Petru VUTC\u0102R\u0102U, together with a group of young actors, founds the "Eug\u00e8ne Ionesco" Theater in Chisinau - the first independent theater in the Republic of Moldova. 1991, February 10, the Theater leaves, for a period of six months, in Romania and operates within the "Anton Pan" Theater in R\u00e2mnicu V\u00e2lcea. 1991, August The theater returns to Chisinau [\u2026]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-277","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/itei.md\/en\/wp-json\/wp\/v2\/pages\/277","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/itei.md\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/itei.md\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/itei.md\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/itei.md\/en\/wp-json\/wp\/v2\/comments?post=277"}],"version-history":[{"count":0,"href":"https:\/\/itei.md\/en\/wp-json\/wp\/v2\/pages\/277\/revisions"}],"wp:attachment":[{"href":"https:\/\/itei.md\/en\/wp-json\/wp\/v2\/media?parent=277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}